It is a feeble attempt at measuring human complexity, a pathetic attempt at explaining the inexplicable. “Writing is a fight against a one-dimensional image of human nature. Krohn is a visionary who does not shy away from directness or hopelessness when describing the human actions. Harha jonka jokainen nkee, Hiljaisimmassakin hiljaisuudessa, Datura, Uusi anomalisti, nien herra, Voynichin kirja, Kivikuntaa, kasvikuntaa, elinkuntaa, Hiljainen asfaltti, Parapuoti, Luumuvanukkaan pivn, Toinen. The price for its material riches is the impoverishment of nature.” “I woke up to an understanding that human civilization develops in irreconcilable conflict with the environment and preconditions for life of other species. Krohn also writes about her own development in becoming a writer, her school years in the 1960s, visions of childhood that came true, the distress signals of the environment and nature: The sentences grow into thoughts that permeate the entire collection, in which Krohn explores art, death and consciousness, as well as the concept of cultural ownership and the suppression of freedom of speech. Leena Krohn begins her compilation of essays by acknowledging four sentences that influenced her own life. Dark visions of the future and deep reflection from the master of words.įinnish original: Mitä en koskaan oppinut
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